Showing posts with label photography tips. Show all posts
Showing posts with label photography tips. Show all posts

June 09, 2014

The merits of flash as opposed to HDR in event photography

Event photography is one of the most exciting branches in the field of professional photography. As a photographer, each event you have the good fortune of photographing will be different, as will be the kind of ambient light you face at each event. You will find an equal mix of indoor as well as outdoor events; therefore, it becomes necessary to equip yourself with all you need to get some beautiful shots at the event.

HDR and flash are among the two most used features when it comes to shooting photographs in a dimly lit environment. Let us take a moment to understand the meaning of each of these terms and what they can do for your photographs.

Flash

Flash Photography

Flash is just a very powerful light applied to illuminate a dimly lit picture. Complete with a startling color temperature of about 5500 Kelvins; flash has the ability to help you freeze the frame when you capture objects in motion. The bright light that emanates from a flash usually lasts for about 1/1000th of a second. Although flash originated from the single use of halogen flashbulbs, it has now progressed to an electronic version. Most of the digital cameras nowadays, come with a built-in flash, while SLR’s have a popup flash that is not as effective as your regular flash.

Pro photographers have been known to prefer the use of studio lights that you either plug in or use with a battery pack.

High Dynamic Range or HDR

HDRThis specific shutterbug feature represents the distinction between the faintest and most prominent of lights in a particular room. The camera has a dynamic range that captures the picture. Once the objects in the frame go past the camera’s range, highlights mellow down to whites; while the darker areas fall to the shadows. HDR basically helps you achieve a picture with a wide dynamic range or lighting that would be impossible without it.

A photographer has to take several photos at varying levels of exposure and then go on to process them together to get the desired effect.

The distinction

The HDR feature requires the photographer to click a wide range of bracketed shots; which is basically the same photograph with different shutter speeds. The photographer then has to merge the different photos with post-processing to get one well illuminated photo. There are several types of photo-merging software’s like the Photomatix available to HDR enthusiasts today.

A flash succeeds in illuminating the picture frame so that you get a bright picture of the subject to start with. You can then go on to tinker at the photograph during post-processing and make any more changes. Some cameras today, come with an electronic flash that has a tube full of xenon gas. It works by shooting a high voltage electric current creating an electrical arc; which essentially emits a brief flash of light for you to take your picture in.

If you’re shooting an indoor event, your best option is probably the flash as you can truly capture some compelling images with such a dominant source of brightness.

The nature of the HDR feature prevents its use for objects that move; especially with the exposure bracketing you will probably be better off with a flash. HDR is more of a suitable option for those dabbling in real estate photography, as they can take the time to use HDR to get some fantastic shots of interiors.

Several digital cameras including the new range of DSLR’s have a very powerful flash option as well as great HDR setting. Do remember to experiment and let your creative genius run free in the field of special events photography, leading you to a bright future!

About the Guest Author:

Aaron Ho is a professional photographer based in Sydney. He provides top notch event photography Sydney to people so they can cherish their every special event!

March 01, 2014

Product Photography Tips

Hello readers! Today’s post has been contributed by my friend Heena Verma, a passionate beauty blogger behind Vanity Case Box. She takes exceptionally good photographs of her beauty and makeup products. Through this post, she shares with us, the top 5 tips to take ‘wow’ photos of your products :)

Tip 1. Lighting Is Very Important

lighting importance

swatch lighting

If you have a good lighting, you have done more than half of the job. I always prefer natural light to photograph my products. It only means you have a clearer picture and a picture that depicts its true colours which is very important while photographing beauty products. You don’t want your bright pink eye shadow to be looking like a light pink eye shadow and fool your readers! Along with that, natural lighting also helps in bringing out true swatches of the products. Even in natural light, experiment with your camera settings to bring the swatch as close to the accurate shade of the makeup.

 

Tip 2. Avoid Using Flash

I also avoid using flash since it washes out the colours terribly and brings out another picture. The more you explore your camera and play with its settings, the more you will realize that how much good a plain digital camera can be!

 

Tip 3. Retouch, If Necessary

Also, when the weather is really gloomy and it’s getting tough to capture pictures nicely, you can always use a touch of photo editing software to brighten up the pictures in such a way that does not alters the product image drastically.

3 4

 

Tip 4. Get Creative!

taking photos from different anglesTaking creative pictures is one of the most satisfying things for me in my blog. Think about different angles, different composition, and different backgrounds. Different angles mean as to in what way you want to capture your product i.e. sitting, lying, vertically, open or closed. You don’t want to place your product far in the picture. The product’s ratio should have a good balance with the picture frame.

 

Tip 5. Take A Look At The Background

using balloons as propsMake sure that the product doesn’t get distracted by the background. Take a clean background. I have seen many pictures with the products being showcased in a very messy background. Avoid it. It causes distractions. You can use different locations and even different types of pretty handmade sheets to capture beautiful pictures. Many-a-times, you can also use different props to enhance images. Just make sure that you place them in a way that doesn’t interfere with the product and goes with the personality of the product. For example, while capturing skincare and bath care products, you can use towels and candles along side. Similarly, while capturing lipsticks or nail polishes, use can use jewellery behind them but in a sober manner!

jewellery behind lipstick

pearl in the background

glitter sheets in the background

Lastly to make sure that you get the most out of your digital camera, make sure that you are well acquainted with all of its functions!

 

About the Guest Author:

Heena  owns a makeup and beauty blog – vanitycasebox.com. She loves to take creative photographs on her blog. Hop on to her blog to see more of the pretty pictures

June 12, 2013

Understanding Exposure Compensation For Better Photographs

There are photographers who choose not to shoot in Manual Mode. Instead, they prefer to use automatic by choosing between the Aperture Priority (A for Nikon and Av for Canon) or Shutter Priority Mode (S for Nikon and Tv for Canon). There are times though when these programmed modes will not expose the subjects correctly. To help solve this problem, one must learn how to use the Exposure Value Compensation or EV Compensation on the equipment.

What is Exposure Compensation?

It is so easy to get lost in the technical definition of the term. In order to avoid confusion, let us try to use something that everyone can understand. Exposure compensation allows you to tell the camera to adjust the amount of light it “sees.” It helps in keeping the image from being underexposed (too dark) or overexposed (too light with loss of details).

How Does It Look Like?

EV settings on a camera

Look for the button on your camera that has the (+/-) sign. Press it to see a slider that looks like a ruler. You will notice that it has two sides, the right has (+) values which adds light to your image, the left has (-) values which lessens the amount of light entering the camera. The value is by default set to (0) in the middle.

How to Use the EV Function?

Even with good sensors there are times that your equipment makes an error in its calculations. The following scenarios show instances of when to use Exposure Compensation:

  1. When you have a white or light subject like a bride in her wedding gown, the camera by default will adjust its settings and the result may be an underexposed image. In order for you to get the natural looking colours, you have to dial the controls going to the positive values. This will help to lighten the images whilst still keeping the details visible.
  2. Black or dark subjects “confuse” your camera. Dark subjects are often misplaced by the device in the middle-grey area, resulting in an image without any details. To address this issue, you have to dial the EV down to the negative values. This will help bring the fine points back to your subjects. This setting is also good when dealing with backlit subjects.
  3. Landscapes that have both light and shadowed areas can be a little tricky. In this situation, your camera will calculate the values according to the bright area. It can lead to washed out details with properly lit shadowed parts. To resolve this, you must be ready to compromise. Choose the value that would give you enough points of both the foreground and background. Be prepared to see some loss of details in the well-lit portion of your landscape.

There is no specific formula on how to get the proper exposure. The best way to learn more about your camera’s output and performance is through trial and error. Experiment with your shots. Take photos of everything and anything under different lighting conditions. Study and learn how to read the histogram of your photographs. This will give you a more accurate idea about the lighting conditions of your images. Once you determine what the problems are, take new photos adjusting the settings of your camera every after shot until you get a more natural looking image. Learn how to work with your equipment. Take the time to really understand your camera’s controls and the way it takes images. This would take you a long way when it comes to getting the correct settings every time you press the shutter button.

If you’re still unsure of what to do, here is an activity that you can try to help you gain more confidence.

exposure compensation example

  1. Choose any stationary subject like flowers in a vase or fruits in a bowl
  2. Place your subjects near an open window or any place that has ample lighting in such a way that the subject is properly backlit (See, In the example photo above, it’s a car/van in front of a bright sky)
  3. Set your camera to aperture priority mode. Look at the top dial on your equipment, rotate it to A (Nikon) or Av (Canon)
  4. Using the programmed EV value (0), take a shot. After the first try, adjust it to +0.3 then take another shot. Your third photograph should have an EV of -0.3 and so on…
  5. Keep shooting and adjusting the values until you have at least 4 or 5 images with different Exposure Compensation values. Transfer them to your computer to see which one is better.

The key is in experimenting, as you can see from the above shot that the image taken at EV (-1) gives the best result – both the sky and the car are properly exposed with no considerable loss of details!

Whilst it is possible to correct the photo issues using various editing programs, it is best to start with a good shot. Try to take a photograph using different exposure settings and then go after editing if it’s really needed. Check which one comes out better. Will it be the underexposed photo, the overexposed or the one that you shot using the right settings?

After experimenting with your shots using the suggestions above share your images on our Facebook page. Please include the camera and settings that you used.  We hope that this post has helped to encourage you to pick up your camera and experiment with your shots!

 

About the Guest Author:

Nadia Hyeong loves following the latest news on gadgets, wireless technology, music and the latest developments from companies like Sony, Apple and O2. Feel free to follow her on Twitter and Google+

May 29, 2013

Top Tips For Pregnancy Photo Shoots

The objective of any pregnancy or ‘maternity’ photo shoot should be to make your client look amazing and feel great at a point when she may not feel at her best – in her later stages of pregnancy.

baby bump shoot

As a photographer it’s your job to use flattering lighting and suitable props to bring attention to a woman’s bump without making the woman feel self-conscious or exposed. Whether you’re a seasoned photographer or are worried about shooting your first maternity session, here are some tips designed to help enhance your shots:

1. Timing

The best time to take a pregnancy photo shoot is at some point during months 8-9 when the woman’s belly is nice and big. Of course, this is just a guide – 9 months might be a little late for some clients so it’s worth consulting with each person in advance.

2. Comfort

If the photo shoot is being carried out at your studio, ensure that your client feels comfortable and looked after. As it’s a maternity shoot, you’ll need to ask her to take some degree of clothing off to show off her bump, so it’s vital she feels secure. Provide her with a private changing area, or at the very least, a screen. Also, it always helps if she brings a familiar face with her, whether it’s her partner, mum or friend.

3. Clothing

During the shoot, first take some shots with full clothing on. Once you’re happy with the assortment of those shots, ask your client to put on some under bump jeans and a vest top (you’ll have to remind her to bring these beforehand).

4. Materials

In terms of background fabrics and cloths to drape around your client, buy lots of lengths of chiffon and floaty material - some in blue and some in pink work nicely if your clients know if they are having a boy or a girl. I also recommend keeping a selection of neutrals and black and white for them to choose from.

5. Lighting

Lighting is one of the most important aspects of pregnancy photography. Studio lighting should be used to make shots subtle and beautiful. Start off by placing flash lights behind the woman to create stunning silhouettes of the bump. As they show off just the rim of the bump, the client doesn’t need to worry as much about stretch marks or pregnancy rashes.

I also recommend trying natural lighting with window light behind the woman. This will give your photos a beautiful, ethereal feel. Using white chiffon to drape the mum in further adds to this natural, subtle look.

6. Props

I personally like very natural images, but it can be fun to incorporate baby building blocks that spell out 'baby' or the baby's name or nickname (parents often have a pet name for their bump). Baby scan images and measuring tapes are also popular props to use to bring a more personal meaning to the finished image.

7. Poses

In terms of poses, it’s very much a case of trying out different ones to see which ones the delicate mum-to-be is comfortable trying out. Below, however, are some of the most popular poses with both clients and photographers:

  • Client standing with her side facing the camera, silhouetted with a light behind the bump
  • Same pose as above, but with a small amount of soft lighting in front, lighting the bump and face a little more
  • Client looking down at her bump, with one hand on top of it and one at the bottom
  • Mum sitting down and holding her bump, with legs to one side, looking upwards towards the camera
  • Lying on her back with legs in air and ankles crossed. Do give her some support so she can rest her legs as a pregnant woman can’t hold her legs in that position unaided
  • For standing poses – as you would with a model, emphasise the curves of her body, so get her to bend her knees and arms. This creates space between limbs and ensures even more flattering, beautiful photos
  • Above all, remember she may be 7-9 months pregnant so try not to make it too much like an aerobics workout!

Do you have any other worth mentioning tip to share? I look forward to see your views in the comments below ;)

Lisa Gill

About the Guest Author:

Lisa Gill is a UK based professional photographer and training provider with many passions – pregnancy photography being one of her biggest! You can connect with her on twitter @LisaGillPhoto.

December 20, 2012

4 Tips To Take Great Photos For Canvas Prints

Almost every new mother gets a flood of coupons and offers from baby-minded companies, including studio portrait photographers. But, while coupons for diapers and formula can save you money on things you need, a discounted studio portrait still counts as a luxury expense in many family budgets.

Two children sitting on green meadowThere is a way to obtain the quality of a studio portrait and, even better, preserve the spontaneity of at-home photographs for a fraction of the cost of professional photographs. But, if you're aiming for photographs good enough to print on canvas and frame in wood, it helps to follow the practices of professionals.

Professionals know that it's a lot less expensive to take a great photo than to retouch an imperfect one. With that in mind, here are some easy tips for creating studio-quality photos with your own digital camera.

 

1. Shoot In Adequate Light

“Let there be (enough) light” is the golden rule of good photography – or at least it should be. Too many great memories are shrouded in darkness because the photographer didn’t check if there was adequate lighting, or set the wrong flash duration, or simply didn’t use a flash at all. Professionals often play with light and darkness to create visually unique images, but for most people, the rule is simple – if it’s too dark, use a flash. “How dark is dark” might be a matter of how you want the final image to look, but if there are people in it and you can’t see them clearly (and you want to), that means you didn’t use the flash properly. So, this should be the first aspect to watch out for.

 

2. Avoid Camera Shakes

While lighting, colour and many aspects can be altered and enhanced using software applications, a blurred photo is very hard to rectify. Most high-end DSLR camera lenses today have image stabilization (IS) technology or Vibration Reduction (VR) built in, but these can cost you an arm and a leg to acquire. Here are some tips to prevent those shakes when it’s shutter time: 

a) Use a tripod - This might sound obvious but it’s surprising how many people avoid a tripod like the plague because of the inconvenience of setting it up; besides, who wants to hassle with a tripod when that beautiful moment might be gone soon.

b) Cradle the camera like you would a baby – the shaking is considerably less when you do this.

c) Third tip is to use what is known as a machine-gun hold; if you’re right-handed that means you use the crook of your left arm to support the camera.

d) Last tip – stop breathing; as in, at the moment of clicking the shutter, not for the duration of the shoot!

3. Use A Variety Of Lenses

Most point-and-shoot cameras provide some lens flexibility - you can zoom in and out. But, in many ways, a camera is only as good as its lenses. So don't spend all of your budget on a camera. Invest in three lenses a professional photographer usually depends upon: zoom, wide angle and telephoto.

a) A zoom lens - lets you get extreme close-ups without being on top of your subject. You could capture your child's smile, for example, from across the room. (Your child's smile might not be so natural if you shove a camera in his face.)

b) A wide angle lens - does a lot more than help you include everyone in a group shot without backing up over a cliff! It can help you create interesting angles, making your focal point appear closer and larger and the background smaller and more distant. Let's say you are taking a picture of your family on a mountaintop. With a regular lens, both your family and the surrounding mountains look far away. A wide-angle lens allows you to get closer to your family without losing the background.

c) A telephoto lens -

child on a swingIt lets you spy on your family - in a good way. You can get "close-up" shots of your daughter on a swing while standing on the edge of a playground or capture your son's touchdown while watching the game from the stands.

 

4. Go For The Highest Resolution

This is probably the most critical aspect of all because if your photo isn’t high-res enough, then you’ll end up with a grainy print full of nothing but coloured pixels, at best – at worst, people will have to constantly keep stepping back to see what the photo actually looks like, especially if it’s a very large print like a 24 x 72”. If you’ve already got a great photo you want to put on canvas but not high-res enough, then you can interpolate it with software – not the best option but it should do the job well enough.

Do these things and your canvas prints will come out looking like a million bucks. More often than not, people will ask you how you took such great photos. Just tell them you studied for years under the best photographers. It’ll be our little secret!

Tim Faught

About the Guest Author:

Tim Faught, CEO and Founder of Posterjack loved what photo companies in Europe were doing and found that there was no other photo company in Canada allowing individuals to turn their works of art into canvas prints. Now 3 years later they are the leader in producing photo art in Canada.

December 15, 2012

10 Photography Tips For Christmas

Christmas is one of the most memorable celebrations of the year. Unfortunately, the merry event only comes once every 12 months. If you want to relive the occasion at any given time and day of the year, you might want to capture the moment by taking a snapshot. However, don’t just point and shoot when you get the chance. The best pictures are captured by considering a number of elements.

Many owners of digital or SLR cameras are guilty of using a photo editor to alter an image’s quality or resolution. When you know how to properly use a camera at any environment, you no longer have to play with the tone, contrast and colour just to get that perfect picture. Just by simply tweaking your camera’s setting and taking advantage of the natural surrounding can be the answer.

1. Lighting

Lighting can affect the overall quality of your picture as it can create the mood and depth of the image. For instance, when you want to establish a homey and dreamy atmosphere, you can just simply dim the lights. On the other hand, direct and bright light can create a more dramatic vibe as more shadows are produced.

2. Avoiding Glares

If you are going to celebrate Christmas outdoors, you don’t have to use flash as natural light is good enough to emphasise your subject. However, you should still consider the brightness of the sun. Too little light will make your subject illuminate too much while too much can lead to glares. Mid-morning and late afternoon tend to be best for outdoor photography. Alternatively, indoor parties should be used with lots of lighting. When using flash, make sure that you are about 5m away from the subject.

3. Composition And Angle

You don’t always have to take a wide angle picture. As long as you apply the rule of thirds, placing your subject on the intersecting lines of the equally divided three sections of the frame, you can play with the angle of your subject. To do this, you can just switch on the grid on your camera’s setting.

4. Use A Tripod

Hand held shots can result to a wobbly picture but when you use a camera tripod, you get a balance image, giving you a sharper and crispier picture of your subject. You can also be included in group photos such as family portraits as you can just simply mount your camera, adjust the settings and set the timer.

5. Adjust Your Camera’s White Balance

White balance is an important aspect of photography that unfortunately not all camera owners know the importance of. When you take a picture indoors, you will notice your picture comes out with a different colour. Adjusting your camera’s white balance can make the colour better and accordingly to your subject.

6. Take Pictures Until You Are Contented

Take many pictures as many as you can. It’s easier to choose the best image among three or more shots rather than having only one version.

7. Christmas Lights and Ornaments

xmas tree lights

Unwrapping gifts and Christmas dinner aren’t the only things you need to take a picture of. You should also snap a photo of holiday decorations such as the Christmas tree and lights and other ornaments. For best results, photograph Christmas lights during dusk or at night so the colours can pop out.

8. Close-Ups

close up christmas ornaments

You don’t always have to use a wide angle for portrait photography or Christmas embellishments. You can capture a person’s emotion by opting for a close up. As for the ornaments, details are more prominent and thus, a better quality of the image.

9. Set Your Camera’s Shutter Speed

You can prevent blurred photos by setting your camera’s shutter speed. You don’t have to ask the subject of your picture to stay still as it can focus on your subject as they move.

10. Check The Background

To add a more holiday vibe, consider the background of your subject. Remember distractions shouldn’t be included in your picture’s frame as it can greatly affect the feel of the image.

So you are now well prepared in advance to make the upcoming Christmas festival a truly memorable one! Follow these 10 awesome tips and celebrate a revived and fun-filled Christmas this month ;) All the best!

Hannah Gregorio

About the Guest Author:

Hannah Gregorio is a photography writer for Dreamlife Photos & Video. She shares digital photography tips and tutorials aimed to help novice photographers.

November 14, 2012

How To Take Better Child Portraits

‘Never work with children’ goes the old hackneyed adage! And of course like any cliché there is always a ‘nugget’ of truth in it- it can be notoriously difficult to get kids to do what you want them to do in front of the camera, which can be very frustrating. The thing is though, some of the very best and most touching portrait photography you see is about children or childhood. Why is this? My theory is this- whilst with adults it’s very difficult to break down their outward ‘guard’ or façade, with children what you see is what you get. They don’t put up any guard, and they live very much in the moment. There is a purity to child portraiture that doesn’t often exist in other forms of photography.

It’s for these reasons that we love taking portraits of children. In this short post I want to share with you some of the things we have learned over the years that have enabled us to really capture the spirit of our (young) subjects:

1. Be patient!

child-portrait-shot

When you start a portrait session with children it can be very tempting to just start taking pictures straight away. The problem with this approach is that, unless you already know the child, they may feel really uncomfortable and ‘freeze’ in front of the camera. It our experience it’s far better to keep your camera away, for at least 30 minutes or so. Start off by chatting to the child’s parents, and once the child is used to your presence, then talk to them- if you can make them laugh, then even better! It’s really important that both the child AND their parents feel comfortable around you before you start taking pictures.

2. Telephoto Zooms are your friend

telephoto-zoom-in-child-photography

If, like us, you shoot outdoor lifestyle shoots rather than studio based shoots, then one of the most effective ways of getting natural shots is to use a ‘long lens’. For lifestyle shoots about 80% of our shots are taken with a 70-200mm lens. Not only does this mean that you can ‘stand back’ a bit more and be less invasive, the longer focal length allows you to use selective focus (shallow depth of field) to really isolate the subject.

3. Set up fun games

One of the best ways to get really natural shots of children, especially when you are photographing more than one, is to get them to play a game together. It could be something as simple as ‘tag’. Once the children are involved in playing the game they almost always forget your presence, and this allows you to get some really wonderful natural shots. This is yet another reason why it pays to use a long lens!

4. Anticipate the moment

One of the skills that you learn over time when working as a portrait photographer is the art of anticipation. There’s nothing specific I can tell you about this, other than just keep your eyes open and ‘practise’. Over time you get much better at anticipating those golden moments- more often than not, it’s a ‘reaction’ rather than an ‘action’ that you are looking for.

I guarantee if you apply these principles your portrait work will improve exponentially. You see, whilst I think it helps to have a good ‘eye’, I do think talent is overrated. It’s far more important to put your heart and soul into what you do, and to practice, practice, practice. Before you know it you’ll be producing children's portraits to rival the very best professionals!

Matt Foden

About the Guest Author:
Matt, along with his wife Brenda, run a wedding and portrait photography business called
Foden Photography. Their style combines fine art portraiture with documentary style photography.

October 27, 2012

5 Tips To Take Great Photos Of Your Family And Kids

Years ago if you wanted to have great photographs of your family you had to hire a professional family photographer. These days many families still take that option, but many are also choosing to buy their own DSLR camera and try to take photos of their family themselves. But many are disappointed with the results because the photos they produce just lack that punch, that ability to captivate, entice and move the viewer. To help you take better photos of your family, I put together this quick 5-point guide.

1. Get Down To Their Level

photography kidsYour brain is captivated by things it doesn’t usually see. And the usual way we see a toddler is from above. We are used to seeing the top of their head and sometimes their big grin (or teary face) looking back up at us. When you take a photo of your kid from this angle, your brain says “yup, I’ve seen this many times before” and quickly moves on.

To take photos of your kid which really grab attention, get down to the child’s level. If you’re not crawling around on the ground, you’re too high!  When I do family photo-shoots, I sometimes spend the majority of two hours we spend with the family crawling around on the ground. And for an extra challenge and to make your photos even more interesting, find a way to shoot up at your toddler.

2. Open Up Your Aperture

aperture and depth of field

Aperture controls depth of field. And depth of field has a huge impact on the story which the photo communicates. By adjusting your depth of field, focusing on a particular point in 3-dimensional space and blurring the rest, you’re essentially saying: this is the important bit! This is where the action is! This is the star of this show.

Use aperture to isolate the most important parts of the photograph and blur the rest. This might take some practice, especially if you’re photographing more than one person. You might find that you have blurred a person you actually wanted to keep in focus. It means your depth of field was too narrow; just stop down your lens a little (in other words, make the aperture smaller) and try again.

As you’re learning to shoot with narrow depth of field, check your focus on the back of your camera by looking at faces of all people in the photograph at 100% zoom right after you take the photograph, instead of waiting to get home, uploading all photographs on your computer and finding out you’ve messed up all your photos.

3. What’s The Story?

story family photography

A good photograph is not just a pretty picture. It’s a photograph which communicates. It tells a story! Once you master the basics of your camera and feel reasonably comfortable with exposure, aperture, shutter and ISO levels, you’ll be able to use your camera more intuitively and spending less time twisting different knobs and trying to mentally work out all the correct settings. This growth frees you up to think about less technical and more personal aspects of photography.

As you watch your family with your camera in hand, poised to take a photo, don’t think about taking a pretty photo. Don’t think about taking a photo which will look impressive. Instead, think about this: what’s the story here? If you were holding a pen and paper instead of your camera, what would you write about your kids in this very moment? Your camera is more closely related to a pen you probably realize. It’s not a picture-taking device, but a story-recording device. And there are stories unfolding before you in every moment; you just have to stop for a moment and hear them.


4. Connect

importance of connecting family photographs

Your little kid or your partner will not reveal their story to you unless they feel like they can connect with you in that moment.

A lot of photos where people look nervous or rigid is actually the photographer’s nervousness, rigidity and inability to open up which is passed on to the subjects. I’m not into rules, but if there was one I’d have to single out as the most important one for taking great photos, it would be this: whatever you’re feeling the people you’re photographing will feel. And that will show in the photographs you take. Being aware of, and being in control of your emotions as well as your inner mental processes is an art in itself. And the best family photographers are the ones who have spent years mastering this skill.

You don’t need to embark on a journey of enlightenment, self-discovery, meditation and eating grasshoppers on a mountain in Tibet just to take a better photo of your family. But you can, for example, be aware that most people don’t like to have their photo for the sake of just being photographed. But people love to share what they’re passionate about and what interests them.

Before you pick up your camera, talk to your kids about their toys, their friends and their hobbies. At some point you can say “That’s such a pretty toy! Do you think I can take a photo of you with it so I can show my friends how good that toy is?” That will create a connection and a relaxed context for your picture-taking session.

5. Clean Up Your Backgrounds

background cleaning in photographs

What most people don’t realize is that each photograph has two elements: the foreground and the background. The foreground is something that everyone knows about because that’s where you usually place your baby, toddler, husband or the whole family.

The background is usually neglected. But it’s just as important because it’s instrumental in creating a composition which is pleasing to the eye. A background which is symmetrical, blurry (see the point above about aperture) and doesn’t have any people or stray objects is a classic which is used very often in family photography. When you’re taking photographs, look for naturally occurring and man-made objects which create that kind of background. It can be things like doorways, bridges, houses, trees and mountains.

Steven

About the Guest Author:

Steven McConnell is a professional photographer from Sydney, Australia. He specializes in family photography and candid family portraits.
To know more about him, do visit his photography
website.

October 17, 2012

5 Tips To Improve Your Wildlife Photography Skills

The growth of the picture/photography industry has been tremendous in recent times due to the ease at which any individual can purchase a digital camera and more advanced photography gear. This has encouraged both professional artisans and armature travellers visiting safaris, to engage in one form of photography or another. We applaud this new development and would be providing our quota to photography by outlining five key tips in this article to help photographers standardize their wildlife pictures, use natural shadows to their advantage and manipulating digital images.

1. Knowing your Gear

As with every profession or hobby, this is your first important step to mastering photography. The best moments in wildlife happens at break neck speed (between 5-10 seconds) which means you must be ready to capture exquisite events as they happen. Therefore, a thorough knowledge of your digital camera and how it operates is essential. You need to have an in-depth understanding of your camera functions such as; its shutter speed, how to quickly change focus length etc.

2. Using the Light to your advantage

Lighting is one of the most important parts of photography for it allows you paint an image that captures the viewer imagination. Therefore maximizing the early hours of the morning, natural shadows and the position of the sun would help you paint the perfect background for your picture. Amateurs or safari/wildlife agencies that have no idea of maximizing light in photos should take the route of outsourcing images to professionals for some form of editing which would help your pictures reach a professional standard.

3. Shoot wider and Shoot closer

tiger wildlife photographyThe format you use to take your pictures depends on the subject. Therefore, distant subjects should be shot by zooming closer while nearer ones should be shot closer. Using software which can crop images and zoom in/out can also help you achieve the above effects.

4. The more subject’s captured the better

Capturing multiple animals in one shot drastically increases the appeal of your image due to the variety of wildlife captured. Therefore, concentrate on capturing diverse species when ever possible to add variety to your photograph. You could also employ the use of image editing software to enhance natural shadows, background surroundings and contrast to achieve shadow uniformity and a more professional photo standard.

5. Use of Software/Post-Processing

tiger photo editedUsually, the best photographs are those which have been edited. Editing can be done very easily using Google Picasa or if you are an expert, you can always consummate your wildlife photographs in Adobe Photoshop. This way your photographs can meet the standards required for online and marketing use..

Purathini

About the Guest Author:

Purathini is a webmaster at
Smart Photo Editors. She also indulges in writing professional image editing tips and tutorials.

August 03, 2012

10 Ways To Create Your Own Photo Studio At Home

Have you ever felt the awkwardness of working in unfamiliar territory? For people who live and thrive on creativity (like us photographers), a relaxed, familiar environment is definitely a must in order to produce outstanding outputs. Where else can you call comfortable, familiar territory but in your own home? You can welcome your clients with ease and you can do anything you want! Well.. it is your home after all. In this post, our guest contributor – Ferina Santos breaks down the best ingenious ways of coming up with your own home photography studio.

1. A Room of One's Own

Back in the early days of the last century, Virginia Woolf, one of English literature's most important female writers, in an extended essay asserted that “a woman must have money and a room of her own if she is to write fiction.” Her essay's title, “A Room of One's Own,” was of course alluding to women being allowed space within a literary tradition that was dominated by a male establishment. But her call for a separate space for creation – a studio – was also sincere.

2. Far From the Madding Crowd

Yes, most artists, male and female – photographers, painters, musicians, sculptors, graphic designers, as well as writers – crave a space “far from the madding crowd” to have some room to explore and create without distraction. As items mentioned in the famous essay, sometimes a lack of space or a lack of money can prompt a photographer to employ an ingenious touch when finding a way to make a photographer's studio in his or her home.

3. What Do You Want to Do?

What exactly do you want to be able to do in your photo studio? No matter how you “develop” and manipulate your “film,” you must have a place where you can intricately control the light from absolute darkness on up the scale. The availability of electricity and plumbing are two obvious requirements that are somehow overlooked when scouting spaces or in the initial planning of a home photography studio.

home photo studio

Electricity
Space requirements for a micro-photography studio will differ significantly from a space engineered to make large product marketing shots such as motorcycles, exercise equipment, or the like. If you are going to be undertaking composing photos in your studio, the major consideration will be the availability of electricity with an eye on hiring an electrician to ensure that use of lighting and other equipment doesn't shut down the microwave and the air conditioning when you go to set up the shots.

Plumbing
With the advent of digital photography, not many photographers have the need for an old fashioned lab with chemical developers and fixers. But if that's part of your photo-experience, you're going to have to think about plumbing needs. You may want to consider having a “dressing room” with a sink and a mirror for models.

4. Finding the Space

You know you're going to need space for a good-sized CPU and monitor. And once you've got the electricity, plumbing, and square-footage needs ascertained, then you need to start looking around your house or condo. Attics, basements, garages, outbuildings, spare rooms, large closets, spaces under or over stairs, and other nooks and crannies are all fair game. No matter how small a space may seem, with a little ingenuity it can often turn into a space far larger than what you may have expected, especially when it comes to storage for all the items you may need.

5. Shaping the Space

“Scrounge” is the word when you start looking for material to reshape your new-found space into a configuration that works for you and your trade. Are there nearby building sites where you can scrounge pieces of wood that a builder would simply discard? Is a shop or a home in your neighborhood being remodeled? Look for discarded fixtures or furniture that may be useful.

Hat boxes, milk crates, display cases, pegboards, and even old muffin tins can become solutions for many storage challenges. Inexpensive and colorful stiff plastic panels can be had at many hobby or home improvement establishments. Again, by applying your creative ingenuity, anything that falls within eyesight is worth considering for use in your home photo studio.

6. Lighting Setup

Should you walk into a corporate sponsored photo studio you'll first be astonished by the boatloads of lighting equipment. Floating dollar signs soon prevent the eyes from actually seeing the stuff. But, lighting is probably the most important element in a home studio and it can be the difference between a good shot and a bad shot, or a great shot. Some of it you can make yourself.

lighting setup

In fact, one website, shuttertalk.com, has a tutorial that shows how to put together a flexible – and robust! – lighting system for under US$75. Surfing the Web you can find all sorts of lighting kits with relatively inexpensive pricing. Backdrops may be another important consideration. Of course, your cameras and flashes, your computer and monitor, and your scanner, are going to have to be purchased with little compromise in mind regarding quality and cost.

7. Photographing Toys

At her day job, a friend had a lot of experience doing product shots in a studio environment. She fell into a free-lance opportunity when a friend of hers decided he wanted to open up a small toy and model railroad shop on the Web. He wanted his product shots done in a unique way specific to his marketing plan that included a lot of color-coded backdrops.

Her day-job workplace studio was off limits for such activity, and while there was some room at the friend's small warehouse to set up shots, there was just too much dust and activity in the environment. So, with a good six months of photographing toys ahead of her, she set about putting up a small-product studio in her rather small home.

8. Setting Up “Toy Shot Studio”

Her house had a rather strange heptagonal “hallway” which held doors to three other areas as well as a small staircase. Beside the bathroom door, another door led to a bedroom, the other to a hallway. She lived alone so there would be little chance of anyone intruding during a perfectly set-up and nicely lit shot.

Since the house wiring was rather old, she had an electrician come in and install a couple of heavy duty outlets in the hallway with their own circuit breakers. Plumbing was not a considerable need since she wouldn't be developing film, and anyway one of the doors led to the bathroom, a source of water if needed.

Though there were no sources for outdoor light, she could effectively control the light in the area with baffles around the doors and a simple black cloth over the doorway at the top of the stairs. Though the ceiling was very high, she rigged a round plywood “ceiling” on pulleys. Painting it white, she could get the desired “light bounce” for different product shots.

9. Platform and Backdrop Requirements

On the two empty walls she hinged two sets of platforms, one at desk height and one at mid-chest height so she could see some of the products at almost eye-level. The sets of platforms were cut in such a fashion that they melded and latched together when lowered for use. Underneath the platforms she attached muffin tins that swung out to hold the various items – pins, cotton balls, tape, etc. – that she would need for setting up shots.

Above the platforms she hung some cloth rollers that she had salvaged from a fabric store undergoing renovation. On those she hung the various colored plastic backdrops she would need as background for her product shots. Under the stairs she set up her two computers, two monitors, a scanner, and various back-up/storage units. While the space was a little crowded, with just a little maneuvering the place could become a studio or revert to a hallway as needed.

Later she discovered that she could do head and shoulder portraiture when the platforms were folded up by pulling the backdrops down over them. The muffin tins were affixed in such a way that even when the platforms were folded back, all the little bits stayed in place in the tins as they were attached snugly to the platform bottoms.

10. Swimming Pools and Tree Houses

Tree house photo studio

With seven-billion of us (and counting) on this planet, finding a room of one's own may get tougher and tougher. But, being an artist with a creative eye, it's probable that you can make even the most unlikely space a suitable spot for a photography studio. One gentleman threw a roof over a small swimming pool that he was tired of maintaining and had used very little anyway. One woman weather-proofed a long-gone son's rather large tree house and had an electrician string wires to it. She really had a room of her own when she started setting up her photo shoots. How, or if, she got clients up there wasn't revealed.

author image Ferina Santos

About the Guest Author:

Ferina Santos is part of the team behind Open Colleges, Australia's provider of photography courses. A feisty nerd at heart with an obsession for media and vanity, she captures all her random musings with daily photographs in her blog, A Pink Banana

July 09, 2012

How to Take Great Self Portraits

Clicking self portraits can be of great fun and at the same moment it can be challenging as well ! What makes this form of photography really of a challenge is – the need for right focus, timing, position and expressions altogether. Learning how to click great self portraits can be advantageous especially when there is no one around to snap your photos.

There are basically two ways in which a self portrait can be taken : one is taken while looking at the mirror, holding the camera; while the other one is simply taken by facing the camera towards your face, usually without using any mirror.


Tips for Self portraits taken in the mirror

If you are comfortable having your camera seen as a part of your picture then get ready to start snapping yourself with these step by step tips…

self portrait shot example1. Look for natural lights – Take your position and maintain a suitable distance from the mirror in such a way that your image in the mirror is well exposed to natural lights. If you are taking your shots in a room, then make sure that the windows and doors are open to let sufficient natural light come inside.

2. Expressions – Self portraits look great in natural pose rather than custom made poses. Be true to yourself and try to maintain your genuine smile and sense of humor before clicking the shoot button !

3. Setting the Focus – It’s always better to take your shots in auto-mode while capturing self portraits. So you don’t have to worry every time about setting the correct values of f-stop and aperture again and again. Just focus on your expressions and leave the rest on the auto mode of your camera.

4. Turning off the flash – When your photo is already well exposed with natural lights then what is the use of that artificial annoying light. Turn it off OR else end up correcting those over exposed photos in Photoshop.

5. Take multiple photos – Set your camera to take a series of snaps in one shot. This makes sense, discarding the ones’ you don’t like and keeping the good ones’ at the same time rather then repeating the whole process over and over again, getting disappointed with individual photos.

5. Capturing the photo – Get ready ! Position your camera in such a way that it does not block your face and expressions. Hold it firmly facing your photo in the mirror (while not loosing your expressions at the same time) and click the shoot button !

Tips for Self Portraits without using any mirror

It is the trickiest part to do. Why ? Because you don’t even get a chance to see how your photo looks like before actually capturing the picture. Secondly, you need to be careful about the right angle, position and true expressions altogether. Frankly, I usually click myself using this very technique and I always get wonderful results.

my own self portrait

On the left side, you can see my own self portrait. This is the photo I have posted in the about section of this blog while describing myself and my blog.

The fundamentals have remained the same – the need for proper natural lights, expressions, auto focus, turning off the flash and taking multiple photos !

There are just two basic tips for this form of photography, and these are :

Tip 1: Properly holding the camera – Hold your camera facing yourself in such a way that your arms do not block its view. Secondly, position the camera straight at the level of your face, gripping it firmly !

Tip 2: Looking into the camera – You can either choose to look straight into the camera with your genuine smile OR you can pose a little bit sideways or downwards (like I did) ! Try with different poses and angles until your satisfaction. Good results can be obtained only through regular practice. Don’t give up, try again and again; you will achieve amazing results for sure !

Best of Luck Smile Do you also love to take your self portraits like me ? Why don’t share your tips and experiences with us here ?

June 08, 2012

Beach Photography Tips

So it’s a long holiday session all over the northern hemisphere and it is during this very time of the year that people are usually out of their homes, planning the perfect vacation and booking travel tickets. Needless to say, don’t ever forget to take your digital camera along with you, or else what’s the point of having spent all that money and time and later not even a single memory to re-cherish those wonderful moments ?

A beach is one of those prominent hotspots that people usually crave for during their summer holidays. Capturing the setting sun just above the beach’s horizon with its magical reflection on the water body and capturing those beautiful big rocks being smashed against by those rising waves..these all constitute a few amazing moments worth capturing with your digital camera.

Here i present a few important tips to enjoy a nice photography session at the beach or a sea coast…

1. Wait for the right time

Before you get ready with your digital photography kit, it is very important that you wait for the prefect time to start shooting at the beach. Avoid taking photos during the bright day time – as the bright sunshine scattered all over the light-colored sand and water might leave you with overexposed photos. The perfect time to start shooting is 2 or 3 hours before the sun sets in. During this time, the sunlight is adorable and less bright which is favorable to come up with pretty decent photos.

2. Turn off the auto mode

If you are out on a bright sunny day with camera’s auto mode turned on then you are most likely to see dark/under exposed photos being captured. Don’t let the camera turn you down, switch to the manual mode and break all the barriers of the auto capture mode. Increase the exposure level of the camera if it happens to be too dark, switch to a higher ISO setting and increase the shutter speed. Keep practicing with varying positions and angles, you will finally end up capturing better photos.

3. Use Neutral density and Polarizing filters

DSLR users should make use of ND filters and polarizing filters, if they are getting weird overexposed photos even during the right time. An ND filter blocks excessive sunlight to enter your camera’s sensor while at the same time the polarizing filter absorbs scattered/reflected radiations of the sunlight if you are using it the in the right way. The correct use of both can even surprise you with magnificent HDR like photos.

people at florida beach

seashell on beach coastline4. Use the macro mode or Depth of Field

For capturing the micro sized life scattered around the beach coast – seashells, crabs and all..the macro mode performs fairly well. Get close to these small creatures and take the shots utilizing the macro mode or depth of field on your camera. The results would be awesome.

 

6. Consider a faster lens for your camera

A faster lens not only captures the movements exceptionally well due to faster shutter speeds but also allows more light to reach the camera when shooting under low light at the beach, especially during the dawn or dusk timings. So considering a faster camera lens for your camera has always an edge over using the regular camera lens, but these are as usual expensive and require a lot of care.

5. Take multiple shots

Operate your camera in burst mode. This way you will end up with an option to choose from several good photos. Beach life is highly dynamic with children and adults playing with water splashes, throwing gaming balls to each other and dancing with joy. It is impossible to capture each and every action the intended way and at the right time obviously. This is where the burst mode kicks well.

Enjoy and have a great photography session @ beach ;-)

May 18, 2012

A Look into Depth of Field for Beginner Photographers

Photography can be a fantastically rewarding hobby - and although it may have once been an expensive one, equipment is slowly but surely becoming more accessible to everyone. With this in mind, it’s easy to improve your skills without much professional training or the most expensive kit.

Take depth of field for example. This is a term that is thrown around a lot in the world of photography, but for beginners, it’s hard to catch up with the jargon. In many ways this is a very technical part of photography, but it’s not too difficult for novices to grasp. OK Let’s break it down…

What is Depth of Field (DoF) in digital photography ?

Depth of field is essentially an area of sharpness:  it encompasses the distance between the nearest points in shot, all the way to the further objects. This area gives a zone to choose focus from. Of course, it is up to the photographer, what should be in focus and how sharply they want this part to appear.

depth of field photo

Knowing the terms for everything isn’t the be-all and end-all, but certainly with photography enthusiasts it can be difficult to avoid in a conversation.

How to get the desired Depth of Field with your camera ?

The depth of field, or this specific zone, is normally influenced by three factors; the aperture, the length of your lens, and how far away you are from what you want to photograph.

Talking about aperture in optics, this is simply referring to the opening in your camera through which light (and your image) travels. It is this opening that determines just how the rays of light come into your camera in the first place and can vary between different makes and models of camera. In the same way the shutter speed is in relation to how long the light has to reach the sensor in your camera, the aperture is in regards to the amount of light.

a) How to get wide DoF

If we’re getting technical again, aperture is often referred to as an f-stop and is expressed as numbers. You may be familiar with this as a decimal number. As the f-number increases, the depth of field increases too. For example, an aperture of f/32 will be greater than that of f/5.

wide depth of field 

When most of the image is sharp, this would be a wide depth of field. This is easier to achieve with a wider focal lens, as it allows you to see more of an area. Think about taking a photograph but you want to get more into your image. What do you do? Step backwards! Well, a wide angle lens allows you to get this additional depth of field without tripping backwards and bringing your camera all the way to your chin.

b) How to get shallow DoF

On the opposite end, if you are after a very specific area, you are restricting the depth of field, and so a telephoto lens is ideal in capturing these instances, particularly if your subject you want to concentrate on is at a reasonable distance away. Unlike the wide DoF, shallow DoF is the result of lowering down the f-number on your camera.

shallow depth of field example 1

shallow depth of field example 2

In order to get the balance right, depending on what end result you are after, there are plenty of calculators out there in order to estimate depth of field, many of which can be found online.

In this sense, photography and it’s depth of field can be meticulously planned prior to even taking your equipment out of its casing. Although incredibly useful, it’s important to remember not to do this for every image.

Despite being able to carefully calculate the depth of field in order to improve the scene of a selected picture, it is sometimes good to have these skills as a backup and instead to use your eyes to judge the situation. Photography is more often than not all about being captured in the moment, and being able to take a snapshot moment, and sometime you just need to feel it.

Brett Harkness

About the Guest Author:
Brett is a professional photography training provider and a part time commercial photographer. If you’d like to brush up your skills with some photography training, Brett provides courses in Manchester, UK.